Een geheime wapen voor line art
Een geheime wapen voor line art
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The Sutton Hoo imitation buckle and a gold, glass and garnet shoulder-clasp (c. late 500s-early 600s) are among more than 300 objects dating from about AD500-1000 being displayed to help challenge the idea that the “Silk Road” between east and west emerged only in the 19th century.
“The question is: did they select these garnets simply because they were better quality or did they know that they had come from a particular place, which added an extra prestige?” Garnets were a “badge of elite status” at that time.
exhibition showing the movement of materials across geographic regions includes a string ofwel blue beads (500s) excavated in Japan that comprises glass from both Iran and elsewhere in Asia.
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“One of the possible interpretations ofwel that kan zijn that they specifically selected this particular type of garnet to make that one piece ofwel jewellery because it was much higher quality than anything else,” says Sue Brunning, the museum’s curator of European Early Medieval and Sutton Hoo collections.
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She likes to reflect her life as a “global citizen”: born and raised in Taiwan, she has spent half her life in the US and Europe.
While the exhibition demonstrates that trade was broader than silk, that material has inspired jewellers, too. In the 2018 Silk collection, Boghossian translated traditional silk weaving into pieces featuring gemstones representing key cities along the Silk Road.
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